Monday, June 27, 2016

PERIODS (1986-1999)

PERIODS (1986-1999)

Historical Background


History took another twist. Once more, the Filipino people regained their independence which they lost twenty years ago.

In the span of four days form February 21-25, 1986, the so-called People Power (Lakas ng Bayan) prevailed. Together, the people barricaded the streets petitioning the government for changes and reforms.

Freedom became a reality –won through a peaceful, bloodless and God-blessed revolution.
Philippine society was in turmoil for a few weeks but the rejoicing after the Pres. Marcos was toppled down from power was sheer euphoria. Singing, dancing and shouting’s were the order of the day.

The events created overnight heroes. In this historical event, the role played by two big figures in history cannot be doubted. To Defense Minister Juan Ponce Enrileand Armed Forces Chief of Staff Fidel V. Ramos, as well as to the cause of freedom do the Filipinos owe their gratitude for the blessing of Independence?

To the Filipino people, this is the true Philippine Republic, the true Republic of the Philippines.

PERIOD:

In the short span of the existence of the true Republic of the Philippines, several changes already became evident. This in noticed in the new Filipino songs, in the newspapers, in the speeches, and even in the television programs.


1. On Newspapers and other publications:

Newspapers which were once branded crony newspapers became instant opposition papers overnight. This was true of BULLETIN TODAY which became the opposition paper. The now crony newspapers that enjoyed an overnight increase in circulation were THE INQUIRER, MALAYA, and the PEOPLE’S JOURNAL.

Newspapers felt that the shackles that muzzled their voices during the repressive years had been broken and, like a bird “trying its wings after a long time of bondage,”the desire to write about this “miracle of change” was electric.

Columnists became vocal and unrestricted in there are and a bumper crop of young journalists emerged. The old stalwarts of the former dispensation like MaximoSoliven, Louie Beltran, Hilarion Henares, and Francisco Soc Rodrigo came back with a vengeance.
By June 12, 1986, a total of 19 local dailies both in English and Filipino were in circulation.
Nowhere since the 1950’s had there been such a big number of newspapers in circulation (excluding tabloids).

These newspapers include: BULLETIN, TEMPO, BALITA, MALAY, MIDDAY, MASA, MANILA TIMES, NEWS HERALD, TRIBUNE, NGAYON, INQUIRER, EXPRESS TONIGHT, EVENING POST, PEOPLE’S, DAILY MIRROR, BUSINESS DAY, and MANILA CHRONICLE.


2. On Books: Philippine literature is still in the making…we are just beginning a new era.

The Phillippines’ revolution of 1986 and the fire of its spirit that will carry the Filipinos through another epoch in Philippine history is still being documented just as they have been in the countless millions who participated in body and spirit in its realization.
Two books were conceived during the period.

PEOPLE POWER was produced under a grant by the PCI Bank Human Resources Development Foundation, edited by Monina Allarey Mercado and published by the James B. Reuter, S.J. Foundation.

Another one BAYAN KO was published by Project 28 Days LTD. in June, 1986 in Kowloon, Hong Kong and co-published in the Philippines by Veritas Publications and Communications Foundation.

In March 19, 1987 the Seventh National Book Awards cited several best books published in 1987 according to the choices made by the Manila Critics Circle. Among those awarded were: Dream weavers Selected Poems (1976-1986) by Marjorie Pernia and Awit at Corrido: Philippine Metrical Romances by Damiana L. Eugenio.

Bookfair Manila ’88 organized by the Philippine Exhibit Company was held on February 20-28, 1988. It was held with the belief that “requisition of knowledge not only enhances individual skills and capabilities but more importantly, makes positive contributions to the nation’s development program.”

B. FILIPINO SONGS DURING THIS PERIOD

Here are a few Filipino songs that were often heard. They were often aired in radio and television and often accompanied the historical events that transpired in the Philippines and gained for the Filipinos world-wide acclaim.

An album named HANDOG NG PILIPINO SA MUNDO carried a compilation of some of these.
The song that continued to be sung throughout the trying period of the Revolution, almost like a second national anthem and which gave fire to the Filipino spirit was BAYAN KO. Its lyrics were written by Jose Corazon de Jesus way back in 1928.

Summary

The flowering of Philippine literature in the various languages continue especially with the appearance of new publications after the Martial Law years and the resurgence of committed literature in the 1960s and the 1970s.
Filipino writers continue to write poetry, short stories, novellas, novels and essays whether these are socially committed, gender/ethnic related or are personal in intention or not.
Of course the Filipino writer has become more conscious of his art with the proliferation of writers workshops here and abroad and the bulk of literature available to him via the mass media including the internet. The various literary awards such as the Don Carlos Palanca Memorial Awards for Literature, the Philippines Free Press, Philippine Graphic, Home Life and Panorama literary awards encourage him to compete with his peers and hope that his creative efforts will be rewarded in the long run.
With the new requirement by the Commission on Higher Education of teaching of Philippine Literature in all tertiary schools in the country emphasizing the teaching of the vernacular literature or literatures of the regions, the audience for Filipino writers is virtually assured. And, perhaps, a national literature finding its niche among the literatures of the world will not be far behind.
FOUR PHILIPPINE PERIODS
The first Philippine literary period was the pre-colonial era. During this time, folk songs, epics, narratives and sung narratives were popular. Many of the folk songs featured simple rhythms, while narrative songs were used to tell historical stories. Philippine epics from the pre-colonial era told mythological stories, and often reflected on community ethics.
During the Spanish colonial era, theater became popular. During this time, Spanish explorers attempted to teach their language to indigenous people, which meant religious songs and poetry found their place in society. The introduction of prose took a similar approach by attempting to influence social behaviors. By the 19th century, Philippine writers were using prose to their own benefit by writing about the negative effects of colonization.
During the American colonial period, English was introduced to mainstream schools throughout the country. This meant some American literary influences had an impact on Philippine literature, including the introduction of free verse poetry. Short story telling also became popular, and as romantic movie traditions intersected with Philippine culture, so did romantic novels.
Following military rule in the 1960s, the contemporary period emerged. Poetry, prose and short stories remain popular, but writing has become more competitive and professional throughout the country. Writers are encouraged to attend workshops, and literary awards ceremonies are held each year.


PERIOD OF THE THIRD REPUBLIC (1981-1985)

Period of the Third Republic (1981-1985)

Historical Background

After ten years of military rule and some changes in the life of the Filipino which started under the New Society, Martial Rule was at last lifted on January 2, 1981.

To those in government, the lifting of military rule heralded a change. To their perceptions, the Philippines became a new nation and this; former President Marcos called “The New Republic of the Philippines.”

A historian called this the Third Republic. The First Republic he claimed was during the Philippine Republic of Emilio Aguinaldo when we first got our independence form the Spaniards on June 12, 1898.

The Second was when the Americans granted us our independence on July 4, 1946. This period, January 2, 1981, was the Third Republic when we were freed from Military Rule.
During this period, it cannot be denied that many people seethed with rebellion and protest because of the continued oppression and suppression.

This was further aggravated when former Senator Benigno S. Aquno Jr., the idol of the Filipino masses, whom they hoped to be the next president, was president, was brutally murdered on August 21, 1983.



This stage of the nation had its effect on our literature. After the Aquino assassinated, the people’s voices could no long be contained. Both the public and private sectors in government were chanting, and shouting; women, men and the youth became bolder and their voices were raised in dissent.
We can say that Philippine literature, in spite of the many restrictions, still surreptitiously retained its luster.

THE PALANCA AWARDS

The Don Carlos Palanca Memorial Awards for literature which was launched in 1950, continued its recognition of the best in the literary fields –poetry, short story, essays, and the one and three-act plays.

In 1981, the winners were the following:
First Prize:Jessie B. Garcia’s –“In Hog Heaven”
Second Prize:Luning Bonifacio –Ira’s “The Party Hopper”
Third Prize:Jesus Q. Cruz –“In These Hallowed Halls”

In 1982, those who won were:
First Prize:“Heart Island”by Jose Dalisay Jr.
Second Prize:“Pas de Deux”by Azucena Grajo Uranza
Third Prize:“The Sky Is Always Blue”by Joe Marie A. Abueg

In 1983, the mood was restive, characteristics of the times. The nation was angry after the murder of opposition leader Benigno Aquino but the awards ceremonies continued after a delay. The winners are:

First Prize:“Oldtimer”by Jose Dalisay Jr.
Second Prize:“Games”by Jesus O. Cruz
Third Prize:“Perfect Sunday”by Jose Y. Ayala
First Prize in poetry (Pilipino): Jose F. Lacaba
Second Prize (English essay): Gregorio Brillantes
Third Prize (English essay): Adrian Cristobal

In 1984, the winners were:
First Prize:“The Reprieve”by Susan S. Lara
Second Prize:“The Tangerine Gumamela”by Sylvia Mendez Ventura
Third Prize co-winner:“The Little Wars of Filemon Sayre”by Lemuel Torrevillas
Third Prize:“Stranger in an Asian City”by Gregorio Brillantes
In 1985, those who won were:
First Prize:“The Hand of God”by Conrado de Quiros

  
First Prize:“A Novel Prize for Jorge”by Eli Ang Barroso
No awards for second prize
Third Prize:“Mecca of the East”by Charles Loong
In 1984, the Palanca Awards started choosing the best in novel writing. This contest, held every three years, gives time for local writers to write more beautiful and quality works. The next contest on the best novel was held in 1987. La Tondeña continues to be its sponsor.

B. FILIPINO POETRY

Poems during this period of the Third Republic were romantic and revolutionary. Writers wrote openly of their criticism against the government. The supplications of the people were coached in fiery, colorful, violent, profane and insulting language.

C. FILIPINO SONGS

Many Filipino songs dealt with themes that were really true-to-life like those of grief, poverty, aspirations for freedom, love of God, of country and of fellowmen.

Many composers, grieved over Ninoy Aquino’s treacherous assassination composed songs.
Among them were Coritha, Eric and Freddie Aguilar. Coritha and Eric composed song titles LABAN NG BAYAN KO and this was first sung by Coritha during the National Unification Conference of the Opposition in March, 1985. This was also sung during the Presidential Campaign Movement for Cory Aquino to inspire the movement against Marcos in February 1986.

Freddie Aguilar revived the song BAYAN KO which was written by Jose Corazon de Jesus and C. de Guzman during the American period.

D. PHILIPPINE FILMS DURING THE PERIOD

The yearly Festival of Filipino Films continued to be held during this period. The people’s love for sex films also was unabated. Many producers took advantage of this at the expense of public morality.

E. POETRY IN ENGLISH DURING THE THIRD REPUBLIC

Most especially, during the wake of the tragic BenignoAquino Jr.’s incident, people reacted with shock, appalled by the suddenness and the unexpectedness of events.

Alfredo Navarro Salanga, a consistent writer of Philippines Panorama Magazine in his column “Post-Prandal Reflections” aptly said it: “darkness in the mind and soul is how some forgotten poet puts it. Its suddenness was so profound that we couldn’t but react to it in any other way.”


Elemental to us (poets or writers) was how to grasp to some meaning –in a symbol, a phrase or word –in the language of heart and tongue, the poet’s only candles. So we tried to reach out in the next and perhaps the only way we could: by putting pen to paper and speaking out –as partisans in a human drama.

Poets, surprisingly, by common consent, found themselves writing on a common subject.
Reproduction of some of them is reprinted here. We aptly call them Protest Poetry of the ‘80’s.
The themes of most during this time dealt with courage, shock and grief over the “treachery inflicted upon Aquino.”

F. MEDIA OF 1983

Sheila S. Coronel, a PANORAMA staff stalwart, reporting on the state of the media during these times said: it was a year of ferment, and change, of old problems made more oppressive by the new throbbing beat of the times.”
For journalists, it was a year loaded with libel charges, lawsuits and seditious trials which they gallantly bore as harassment suits.

JAJA (Justice for Aquino, Justice for All) Movement called for a boycott of government –controlled newspapers in protest of media suppression. People picketed newspapers offices with coffins to symbolize the death of press freedom.
In campuses, newspapers were set afire to protest lack of free expression. Journalists suffered physically and otherwise.
Journalists of 3 major dailies demanded a dialogue with their publishers to “restore credibility and respectability” to newspapers.

Opposition tabloids flourished. They sold our papers with the red news to the starved public; hence, smut magazines like the TIKTIK, PLAYBOY SCENE, and SAKDAL also played the sidewalks.

Radio led by RADIO VERITAS started reporting coverage of demonstrations. Information Minister Gregorio Cendaña called the tabloids the “mosquito press” and called their new “political pornography.”
However, there was a perceptible liberalization of editorial policies in the major newspapers.

G. CHILDREN’S BOOKS

Among the well-loved forms of writing which abounded during this period were those of children’s stories. The Children’s Communication Center (CCC) directed by poet and writer VirgilioS. Almarioalready has built up an impressive collection of these kinds of books. The following are some of the books of the period.


1982:PLAYS FOR CHILDREN by JameB. Reuter S.J. (New Day Pub.)
1983:STORY TELLING FOR YOUNG CHILDREN
1983:JOSE AND CARDO by Peggy CorrManuel
1983:Joaquinesquerie: MYTH A LA MOD (CachoHermanos)
1983:LAHI: 5 FILIPINO FOLK TALES (of 5 English books and 1 cassette tape)
1984:RIZALIANA FOR CHILDREN: ILLUSTRATIONS and FOLKTALES by: Jose P. Rizal, Intoducedand annotated by Alfredo Navarro Salanga
1984:GATAN AND TALAW by Jaime AlipitMontero

H. (PROSE) FABLES

The people’s cry of protest found outlets not only in poetry but also in veiled prose fables which transparently satirized the occupants of Malacañang. Among those that saw prints were:

1. The Crown Jewels of Heezenhurstby Sylvia Mendez Ventura
2. The Emperor’s New Underwear by MeynardoA. Macaraig
3. The King’s Cold by BabethLolarga
4.The Case of the Missing Charisma (unfinished) by Sylvia L. Mayuga.
In all the fables, the king, differently referred to as TotusMarkus or the king or Haring Matinikwas meant to poke fun at the ruler at Malacañang; similarly, Reyna Maganda or the Queen, was a veiled thrust at his queen.
They were both drunk with power and were punished in the end for their misdeeds.


1. THE STATE OF PHILIPPINE LITERATURE IN ENGLISH AT THIS TIME

Isagani Cruz, writing about Philippine literature in the “Age of Ninoy,”makes the following observations:
“Philippines literature is definitely changing,”and he summarizes these as follows:

1. Change in the direction of greater consciousness in content and form.

2. Change in the number of readers and the number of writers and the kind of class of writers. Writers who joined the ranks came not only from the established or professional groups but from all ranks –clerks, secretaries, drivers, housewives, students; in short, the masses.

3. The resurgence of Balagtasismoand the continued dominance of Modernismo. While Balagtasismoturned its back on the American challenge to Philippine literature its conservative conventions, Modernismoadapted Americanization for its own ends.

4. The birth of a new poetic movement still dims in outline.

5. The apparent merging of the erstwhile separate streams of oral and written literature.

J. SOME WRITERS DURING THIS PERIOD

1981-85

1981:PHILIPPINE FOLK LITERATURE by DamianaEugenio
1981:ADVENTURES OF MARIAN by Carissa OrosaUy
1982:SOMEWHERE BETWEEN YOUR SMILE AND YOUR FROWN AND OTHER POEMS by Bienvenido M. NoeigaJr.
1983:PARES-PARES by Bienvenido M. Noriega Jr.
1983:AGON: POEMS, 1983 by Edgar B. Maranan
1984:THE FARMER by Alfredo Navarro Salanga

1984:THE ROAD TO MOWAB AND OTHER STORIES by LeoncioP. Deriada